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Old Ghosts In The Water

by SJ McArdle

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    Beautifully presented CD copy of the album with artwork by Greag Mac a'tSaoir, photography by Brian Connolly at BangBang Visual and design by Caoimhe Mulroy at Once Upon Design. Includes 8-page fold out booklet with song notes and the story of the album.

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1.
I see rats in the water and crows on the quay And mothers with stones where their hearts used to be I see children so skinny they ought to blow down All for the sailing tomorrow And the dead have moved in like a wave of the sea Like a plague or a tempest or a swarm of old fleas And they crowd on the quays and are like to fall in All for the sailing tomorrow And the shippers are raking the coin from the hands Of the peasant-stream flowing from the vales of the land There’s a waving of hankies and hats on the shore You’ll never see your loved ones more Brothers and sisters and lovers and friends Running madly along with the ship on the strand It’s a daily occurrence so horrid and cruel From Drogheda Port to Liverpool And the lucky ones root with the cattle and pigs Oh the youngsters of Connacht have seen nothing so big As a port town so heaving with humanity All for the sailing tomorrow And the shippers are raking the coin from the hands Of the peasant-stream flowing from the vales of the land There’s a waving of hankies and hats on the shore You’ll never see your loved ones more Brothers and sisters and lovers and friends Running madly along with the ship on the strand It’s a daily occurrence so horrid and cruel From Drogheda Port to Liverpool Are you turning your face out of mercy or shame? Or a sense of injustice, or is it all the same? One way or the other, we all must report All for the sailing tomorrow
2.
John Cleveland is the master of the Porcupine He’s been halfway round the world and back again Through storms and mutinies and everything Johnny’s pulled his crew through Johnny’s got a girl at home called Sarah Lou She is serious and smart and steadfast and true She doesn’t take shit from Johnny or his crew And she hates the Porcupine If some day that ship goes down And you don’t come home to me I’ll find you I swear You’ll hear my voice on the wind all summer Now the Porcupine has run aground in shallow seas And the crew is all praying, all down on their knees For a current or a breath of wind to set them free But Johnny’s not worried at all He lies in his bunk and thinks of Sarah Lou And he knows she’s the talisman that gets him through She waits impatiently for word or news And Johnny won’t dare let her down If some day that ship goes down And you don’t come home to me I’ll find you I swear You’ll hear my voice on the wind all summer “Becalmed is nothing” he says to his first mate “Compared to what awaits us all if we are late So get up off your knees, boys, and own your fate We’ve got work to do” If some day that ship goes down And you don’t come home to me I’ll find you I swear You’ll hear my voice on the wind all summer John Cleveland is the master of the Porcupine He’s been halfway round the world and he’s come back again
3.
Dear reader, just last week we had some sad news to relay With loss of goods and souls aboard, three ships had cast away But happily we now report these losses to be small In fact only one ship lost souls on the Island of St. Paul This ship had sailed from Ireland – some north-eastern seaport town One hundred sixty souls aboard, all dreaming of renown An English square-rigged brigantine, Isabella she was called Well eight poor souls will dream no more on the Island of St. Paul Far from South-West Light she was, on the island’s eastern side Where many a vessel’s gone aground and many a sailor’s died Maybe she was fog-blind or caught up in a squall Or maybe the ghosts of the sea claimed her for the Island of St. Paul Some were picked up in a boat, some made it to shore Their ship lost to the rocks and to the ocean’s angry roar They listened for a passing ship or a loved one’s lonesome call But the wind carries only seagulls’ cries on the Island of St. Paul In the north Atlantic, on an island grey and plain The wind sings in the lichen for the memory of the slain Many a ship has cast away before she’s made landfall In the Graveyard of the Gulf we know as the Island of St. Paul
4.
Let me tell you a story with an unhappy ending Of the brig Manley and its fate A storm was raging, the likes of which we’d never seen before Around our lifeboat station and we were called to the fray We mustered at station, we answered the call And we rowed into the dark and the howling gale There were three on our crew that night We were three miles from Queensborough We were three minutes from our fate When the captain called ... The brig Manley, badly beaten by the wind Bruised and shaken, had run aground on its lee The crew, in blind panic, had shinned the rigging to escape The grasping hands of the furious sea And we heard them calling from the ratlines and shrouds But we just couldn’t fight the vicious tide There were three on our crew that night We were three miles from Queensborough We were three minutes from our fate When the captain called: “Turn around boys, the tide’s too strong Turn around boys, this feels all wrong Turn around boys, we’ll perish here Turn around boys, there’s no shame in fear Turn around with everything you’ve got Turn around” The voices faded as with heavy hearts we made our way home And the brig surrendered its crew to the sea And they cursed us for cowards in the streets and in the papers And the Harbour Board called for our redundancy And I still hear those voices whenever I rest And I wake up calling “Turn around” (Eighty tonnes Newport coal in transitu Seven young sailors stout-hearted and true Six in the shrouds in five minutes undone Forsaken three miles to shore And the race is hard won) There were three on our crew that night We were three miles from Queensborough We were three minutes from our fate When the captain called “Turn around”
5.
There is a ship down on the quay And it sails today at noon There is work waiting for me And a berth for Liverpool If I thought that you would wait for me I would be happier to go But I’ve been fooled before by kisses sweet And a soft word whispered low There will be too much time to think On the wine-dark, angry foam Oh the soft fingers of doubt Will you wait? Will you roam? Did I offer love far too fast? Or maybe not quite quick enough? Either way it’s too late now, my heart is in your hands Be you gentle, be you rough It’s the little things that give you away Even you can’t believe half of what you say And real, real love would only get in your way People like you I should have known You don’t really fall in love And your heart remains your own It’s the little things that give you away Even you can’t believe half of what you say And real, real love would only get in your way
6.
Hand me my Sunday dress Don’t bother telling me what you think The sun is over the yard-arm now Surely a girl deserves a drink Almost time to go to work Shield my eyes against the sun Punched and kicked and spat upon Goosed against the harbour wall Merchant, sailor, vagabond I do it for the money, though the money is small And old Madame will know what’s what Every act and deed that’s done Every penny goes in the pot No point trying to fox that one And when it’s time to go to work Shield my eyes against the sun Punched and kicked and spat upon Goosed against the harbour wall Merchant, sailor, vagabond I do it for the money, though the money is small God save us all When the comfort’s cold and your bed is hard After those long weeks at sea Or long hours in the foundry yard You can always come to me Let me help wind down your day Let’s not speak of your wife’s worn brow Let’s not think what your mother would say Or how your sons would see you now
7.
We used to wait out at Queensborough Where the dippers sing in the hiss of the reeds, Dawn spreads slowly over the mud banks And the shearwaters silently wheel on the breeze And the ships would come in, and expertly we’d gauge them Mark them by their lie and their flag and their name We’d approach in our boats and loudly we’d hail them With authority board them in the King’s name Saying “Show me the wood and the iron Show me what lies unseen Show me the saltwort and barilla Show me your hands are clean” Yes I worked in the Waterguard as a tidewaiter I rummaged the ships in the Port, on the quay Looking for anything hidden within there I was a bloodhound - nothing escaped me Saying “Show me the wood and the iron Show me what lies unseen Show me the saltwort and barilla Show me your hands are clean” We board your ships We know your hiding places We read your packing lists We read your faces And nothing gets by us On Sundays it’s quiet all along the dockside And we’re not as busy as we used to be Early June and the cool of the river Morning tide pushing up on the lee
8.
Ann Marie was a girl of three And she was her Daddy’s light He worked hard in Grendon’s yard And when he came home late at night He brought stories fresh from the sea Of whales who ate sailors for their tea And if they were hungry some of the time She’d forget it when he’d sing There’s a golden ship with a silver sail And Ann Marie is the captain Her Daddy’s there with her worn old bear And they sail by lands And they all hold hands As the moon comes over the mountains Ann Marie didn’t move too quickly But she got around alright She’d never be tall, even her hands were small But she held her treasures tight A shiny stone and a feather blown That she kept to show her Daddy And when he returned to sing her song She smelled safety in the dark There’s a golden ship with a silver sail And Ann Marie is the captain Her Daddy’s there with her worn old bear And they sail by lands And they all hold hands As the moon comes over the mountains At night Ann Marie didn’t breathe so free He could feel her small chest heaving And in the morning’s pall, when the foundry would call His heart would twist as he was leaving Then one morning he didn’t show up And his friends knew where they’d find him He held her close in their room and he sang to her And he knew she’d be sailing soon There’s a golden ship with a silver sail And Ann Marie is the captain Her Daddy’s there with her worn old bear And they sail by lands And they all hold hands … (Oh Daddy I can see the sun I can see it coming I can see it coming I can see it coming …)
9.
Jack 03:59
The scudding sky The whistling wind The smoke curls in the air The sun is down The cattle low The water’s calm, the weather’s fair It’s quiet all Along the quay The boys are in their bunks The steamers settle On the tide The lines are tied, the anchors sunk Mare’s tails and mackerel scales All our ships will wear short sails Tomorrow we have work to do Some of it long overdue So go home, son It’s time to sleep Leave tomorrow to its cares Wash your face And kiss your Mam Watch your draft and say your prayers

about

featuring:
Carol Keogh | Trevor Hutchinson | Graham Henderson | Dermot Byrne | Nuala Kennedy | John Ruddy | Barry Kieran | Brendan McCreanor

Produced by Trevor Hutchinson

Recorded and mixed by Trevor Hutchinson at Marguerite Studios
Additional recording by Graham Henderson, SJ McArdle and Nuala Kennedy
Mastered by Sander van der Heide

Design: Caoimhe Mulroy at Once Upon Design
Cover image: “Salty Coast of Nowhere” by Greag Mac a’ tSaoir

(p) and (c) SJ McArdle 2022. All rights of the producer and of the owner of the recorded work reserved. Unauthorised copying, lending, hiring, public performance and broadcasting prohibited (IMRO/MCPS)

www.SJMcArdle.com

credits

released July 1, 2022

Old Ghosts in the Water is a newly-written song-cycle, born of a year-long research and writing project around the history and stories of Drogheda’s ancient Port.

When I was appointed Artist in Association at Droichead Arts Centre, I had a chance to realise an idea I had been turning over in my head and heart for years: work songs, story songs, love songs to the sea. Songs written in anger and written in sorrow. Songs about injustice and change. Songs about people.

I live very close to the port. My daily view takes in the broad expanse of Donor’s Green, where the town quays give way to the green sweep of the river towards Tom Roe’s Point, past Baltray and around to its mouth at Mornington.

The port has been at the epicentre of life in my home town for a millennium and more, providing culture and communication and food and escape and employment. It is tied to everything in the town and has played a role in every part of our history.

But a port, by its nature, is also a link to other places, and to adventure and peril on the high seas. And of course the land-based stories of the port are just as rich, almost a converse of the stories of life at sea.
A year-long period of research and writing led initially to the live show Port, which premiered at Droichead Arts Centre in November 2019, produced by Droichead with support from Drogheda Port Company.
Trevor and I then effectively started again from scratch, picking nine songs from the show and stripping them down completely to be reimagined for the album you now hold in your hands.

This is my life’s work for the past few years. Thank you so much for listening.

SJ x

ACKNOWLEDGEMENTS:
Thank you Trevor for partnering me on this caper: making this album was a long, involved and hugely enjoyable process, and another producer would not have invested themselves so heavily in it.

Sincere thanks to all of the musicians who approached our quixotic ideas with such openness and generosity, and to the team behind the cover, Greag, Brian and my cousin Caoimhe, who has been an essential element in literally everything I’ve ever released.

My thanks also to the creative team behind the Port live show, which also included Josh Johnston, Michael Holohan, Darren Thornton, Kieran McNulty and John McGovern.

Thank you Paul Fleming, Nessa Lally and all at Drogheda Port Company for jumping in straight away and being so supportive in so many facets of this extended project, helping with fact-checking and context and allowing access to the photo and audio archive, including Michael Holohan’s fantastic audio interviews from the late 1980s and early 1990s which bring the lost world of the old Port so vividly to life.

Thank you Brendan Matthews at the Old Drogheda Society, whose correspondence and historical walking tours of Drogheda provided an enormous amount of inspiration and to Declan Mallon at Upstate Theatre
Project for a series of conversations that helped frame where this project might go.

My gratitude to Moya Hodgers, Mary Capplis, Brian Harten, and all at Create Louth who have supported this project over the
past while.

Without gifted or borrowed equipment, this album would not sound nearly as good: thanks and love to Felix McArdle, Eugene Donegan, John Ruddy and my brother Conor.

Finally, I cannot express my thanks deeply enough to Collette Farrell and all of the staff and associated artists at Droichead Arts Centre. Working with Droichead throughout the creation of both the Port live show and this album has meant access to resources, writing spaces and recording equipment as well as that most valuable of things, a supportive creative partnership. The experience has changed me as an artist and as a person.

My love always to Andrea, my girls, Eleanor, Alison and Joanie and to my parents and family, my brothers and sister and to my cousin Shannon.

This album was made with the deeply- appreciated support of Droichead Arts Centre, Create Louth and the Arts Council Covid-19 Response Award.

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SJ McArdle Drogheda, Ireland

SJ McArdle is an Irish songwriter and musician who has toured internationally, had several songs in movies and has released four solo albums.

He is known in part for his former work with Kern and with Long Woman's Grave with Nuala Kennedy & Trevor Hutchinson.

“Bravo for an artist who has taken contemporary Irish music to parts it far too seldom reaches” – Hot Press

Artist photos: Brian Connolly
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